Saturday, October 30, 2010

Is Cartoons & Television Bad for the Kids???

Edited and summarized from:
Josephson, Wendy L. "Television Violence: A Review of the Effects on Children of Different Ages" Media Awareness Network. Dept. of Canadian Heritage, 1995. Web. 21 Oct 2010.


Televisions programs have become more vibrant, provocative, and full of violence nowadays. This article on television’s effects on children can also be considered for other types of media like big screen movies and internet.

There were 4 factors that determine television’s effects on children:
  • Length of their attention spans
  • How they process the information
  • The amount of mental effort they invest, and
  • Their own life experiences

Television’s effects according to age groups:

Infants (18 months old & below)
  • Short attention spans
  • Incapable of great mental effort yet
  • Process television content as lights & sounds, understood little from it
  • EFFECTS: mostly unknown, but infants still can imitate behavior from television if it is presented in simple, uncluttered and instructional manner.

Toddlers (2 ½ to 3 years old)
  • Started to pay more attention to television content
  • Limited understanding of the television content
  • May imitate behavior they see on the television
  • EFFECTS: toddlers love cartoons and can become committed to them. Their viewing pattern at this age will determine their viewing pattern later in life. Violent content can affect the children as they may copy the behavior.



Preschooler Age (3 to 5 years old)
  • Started to invest more mental effort in television content
  • Actively exploring the meaning in television content
  • More attracted to vibrant sounds and images rather than subtle motives and consequences
  • EFFECTS: can be exposed to violence if presented in vivid and attractive flashes of images like cartoon violence. Children became more agitated after watching violent content.


Elementary School Age (6 to 11 years old)
  • Children develop cognitive ability to understands plots, subtle messages, and moral values embedded in television content
  • Invest more mental effort if they liked the show, and less if they did not like it
  • Less preference to sounds and images, more to program content
  • Children started to like other programs besides cartoons and songs
  • EFFECTS: since they can understand motives and consequences now, they will not imitate behavior if it is presented as evil, but will impersonate heroic act of their superheroes. They may be affected by violence if it is what the hero is doing, or if it is portrayed as normal or if they really like it.


Adolescence (12 to 17 years old)
  • high level ability of abstract thinking and reasoning
  • use less mental effort on television programs and watch less
  • more interested in their real life (i.e. teenage romance, independence, and relationships) and view television content as superficial
  • EFFECTS: Teens usually seeks something other than what television offers, like music videos, extreme sports, chatting, computer games, graffiti etc (although television now covers even these sorts of activities). Only small percent of adolescent may continue to watch television. Whichever way they may be exposed to violence, teens can be inspired by crime and violence if they think it was exciting or as an act of rebelliousness.

It is hard to separate children and cartoons. It is almost like robbing them of their childhood joy. Besides, television did have certain advantages such as:
  • exposing the children things they might never see in real life
  • providing exciting educational program, and
  • as pastime activities

Parents should always monitor the programs watched by their children. However, Parental Control button and passwords is not enough, because it will only trigger curiosity and kids this day usually will find a way to break the code anyway or seek it from other sources. So, here are some suggestions, besides limiting the amount and type of programs to watch:

Infants & Toddlers for infants and toddlers, Parental Control tools is sufficient, but parents must also observe their own viewing habits since children are highly influenced by what their parents are doing at this stage.

Preschoolersparents can join their children as they watch television and encourage or discourage certain behavior from the television while providing comfort or distractions whenever needed so they felt safe when they are scared by what they see.



Elementary School Children for older children, limiting the television content is not enough, although limiting the viewing time should still be implemented. Parents need to discuss, explain, and challenge television. As children became more critical on the television content, the violence will be less likely to be taken up by them.

Adolescentssince teens do not like to be told about something, it will be more useful to encourage them to express their opinions, analyze and question the programs they watch. If they appeared to be misguided, parents should also argue with them instead of just telling it is wrong. Teens tend to hold an opinion of their own despite pretending to hear what you have to say, hence it is important to provide good evidence and support when talking to them.





Friday, October 15, 2010

Magika yang Magik

Tengok Magika dgn adik2 ipar. Mcm xlayan sgt filem tempatan...sebab selalu kecewa..... tapi sekarang filem tempatan dah makin bagus. Magika ni pulak filem muzikal..ok, ade kelainan. Boleh cuba.


Para lelaki mesti dengar muzikal aje trus tanak tengok, kalau ade pun sebab nak tengok Diana Danielle kan.... Tapi Diana memang nampak cantik dalam filem ini. Filem ini mengisahkan perjalanan Ayu (Diana Danielle) mencari adiknya, Malik (Fimie Don Nasi Lemak Kopi O) yang hilang di dunia Magika. Dalam perjalanannya, Ayu bertemu dengan pelbagai watak-watak dongeng klasik Melayu yang dilakonkan oleh bintang2 popular tanah air seperti:

  • Pak Pandir - Aznil Hj. Nawawi
  • Mak Andeh - Raja Azura
  • Puteri Bunian - Maya Karin
  • Mahsuri - Vanidah Imran
  • Hang Tuah 5 Bersaudara - Senario lama & baru
  • Orang Minyak - Nabil Raja Lawak
  • Bawang Putih Bawang Merah - Amani & Aleya
  • Ibu Tiri Bawang2 - Adibah Nor
  • Puteri Gunung Ledang - Ning Baizura
  • Nenek Kebayan - Ziana Zain
  • Pak Belalang - Zaibo
  • Badang - Mawi
  • Penunggu Tasik Chini - M. Nasir
Ternyata ini amat menghiburkan tatkala satu persatu watak diperkenalkan. Seakan mengimbau memori kecil2 dahulu dihiburkan dengan cerita-cerita rakyat ini. Lagu2 yang dinyanyikan sedap didengar, tentunya buah tangan KRU memang tidak pernah mengecewakan. KRU turut membuat debut sebagai pokok2 yang menyanyi manakala Jalaluddin Hasan & Fauziah Ahmad Daud sebagai Murad & Ija...ibu bapa Ayu & Malik.



Senario bersatu dalam Magika


Cuma saya kurang berpuas hati dengan skripnya, perlukah ada perkataan2 moden? tidak bolehkah buat lawak dengan bahasa melayu klasik shj? ini amat tipikal dalam slot2 komedi Malaysia...... seakan tidak ckup kalau tidak merujuk kepada bahasa masakini & jenama terkenal luar negara. Magika sudah ada magiknye, lawak murahan seperti ini hanya mencacatkan keindahan filem yang sememangnya indah ini.

Apapun, tahniah kepada Edry kerana berjaya mengarah filem muzikal pertama Malaysia yang boleh dibanggakan oleh rakyat Malaysia (^o^)/

Thursday, October 14, 2010

Pengganti Jet Li yg besh!!!

Legend of the Fist - The Return of Chen Zhen

Sabtu lepas nak sangat tengok wayang...tapi xtau pun nak tengok ape. Macam xde ape pun yang best tuk ditengok. Tapi Sabtu malam ni jela boleh nak bersukaria sampai lewat malam. Kalau malam Ahad, esok suami dah nak keje. Jadik...gi jelah ke Summit...port kami tengok wayang sekarang nie.

Pusing2, Legend of the Fist...suami btau, kawan die dah tengok & rekemen. Oraits, buleh laa...kebetulan dh sampai masa tayangannya pun. Bile tgk....perghh!!!


Filem bermula dgn babak berkungfu masa perang...memang menarik!! biasenye perang,perang la,citer kungfu,klu de pakai pistol pun xde la 'rigorously' cam dalam perang. Pastu tetibe die masuk ke keadaan pas perang. Cam kecewa sket...sebab babak tadi besh giles. But, here the politics started, more complex tasks for the main character.

Heronye, Donnie Yen berlakon untuk 3 watak. Sebagai Chen Zhen yang sebenar di kalangan kawan2 lama; jadi 'undercover spy' sebagai Qin Tiansheng, ahli peniagaan yang dihormati dan kononnya baru kembali dari Perancis; pada malamnya pula Chen Zhen menjadi hero bertopeng yang digelar 'Black Masked Warrior'. Semuanya dilakukan Chen Zhen untuk memantau dan menghalang Jepun yang sedang bersiap-sedia untuk menakluk China.

Chen Zhen, ketua pergerakan pemberontak

Qin Tiansheng, ahli perniagaan yang gemar berpoya-poya

'Black Masked Warrior' yang menyelamatkan aristokrat2 dari dibunuh Jepun

Sesuatu yang harus dipuji ialah di dalam filem ini, ditunjukkan hero yang agak menjurus ke realiti. Lagipun filem ini dibuat berdasarkan sejarah, cuma wataknya adalah legenda semata-mata. Biasanya hero akan berjaya dengan hebatnya dan beroleh kejayaan besar. Tetapi dalam filem ini ditunjukkan yang sehandal mana pun pahlawan itu, die tidak semestinya berjaya dalam misinya. Chen Zhen berjaya dan gagal berturut2. Hanya semangat perjuangannya yang tetap kukuh untuk terus melawan Jepun. Semangat yang turut ada dalam jiwa Pahlawan kita di Tanah Melayu suatu ketika dahulu.

Filem ini juga dibuat sebagai lanjutan dari beberapa francais terdahulu:
  • siri Fist of Fury (1995) dengan Donnie Yen juga sebagai Chen Zhen, 
  • Jet li dalam filem Fist of Legend (1994), dan
  • filem asal Fist of Fury(1972) yang menampilkan mendiang Bruce Lee


Review2 untuk filem ini mungkin tidak berapa bagus, kebanyakan pengkritik membandingkan filem ini dengan filem2 dahulu dari segi 'action scenes' nya dan kehebatan seni mempertahankan diri Bruce Lee & Jet Li. Tetapi bagi saya Donnie Yen tidak kurang hebatnya dengan melakukan 'mixed martial arts' termasuk Jeet Kune Do sebagai 'tribute' untuk Bruce Lee. Kelebihan Donnie Yen dari hero2 terdahulu ialah dia tidak hanya berkungfu, tetapi bijak bermain dengan perasaan dan benar2 menghayati ketiga-tiga wataknya. Kita dapat merasai kesakitan dan penderitaan yang dialaminya. Berbeza dengan 'kekebalan' Bruce Lee' dan 'gerakan extravaganza' Jet Li, pergerakan Donnie juga sangat cantik dan kemas dan kesakitannya amat 'real' skali. Yang penting, dia tidak 'bermuka statik' seperti hero2 terdahulu, memandangkan industri filem sekarang lebih mementingkan jalan cerita daripada aksi semata-mata, ini adalah revolusi yang bagus untuk filem2 Hong Kong.

Cuma saya kurang faham kenapa Chen Zhen membiarkan sahaja Kiki (Shu Qi) terus melakukan aktiviti mengintipnya walaupun telah mngesyaki wanita itu...sehingga mengakibatkan kawan2nya dibunuh dengan kejam. Tapi itulah manusia, melakukan kesilapan kerana terpesona dengan kecantikan. Yang pasti, saya keluar panggung dengan perasaan puas hati dan duit dibelanjakan pun terasa berbaloi (^o^)